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I see it over and over again — when a producer can’t figure out a solution for writing memorable music, melodies & chord progressions, they go back to doing exactly what they shouldn’t do: tweaking EQs & compressor knobs, finicking with some reverb, or worse, not producing at all and blaming the music industry for being jaded, corrupt and backward.
Ugh. That’s the exact opposite of what you should be doing.
Don’t get me wrong, mixdowns are important, but people don’t connect with EQ and compression. They connect with stories. They connect with vulnerability. They connect with honesty.
In short, they connect with great songwriting.
Chord progressions. Melodies. Hooks. That’s songwriting — it’s the missing piece.
It’s why artists like Bon Iver can bring millions of listeners to tears and become a multi-platinum recording artist with sub-optimal production quality.
It’s why Porter Robinson, who doesn’t always have the cleanest mixdowns, is able to focus on conveying powerful emotions through dynamics and great songwriting.
It’s why Avicii was known as a musical genius and whiz-kid — not because of his technical prowess, but his ability to turn anything into melodic, songwriting gold.
I’m sure you’re thinking, “Well, that sounds great, but how do I do that?” Well here’s the problem…
Your current game plan of hacking music theory isn’t going to cut it. Shortcuts will only get you so far. In fact, shortcuts will lead you to writing tracks — not songs.
ARE YOU WRITING SONGS? OR TRACKS?
TRACKS have a life-span of a few months but then? They are easily forgotten.
SONGS are timeless and memorable. They sound just as good (or better) years after release.
TRACKS get filed into your DJ catalog and playlists, never to be heard again.
SONGS get shared with all of your closest friends are catalysts for connection, community and memories.
TRACKS jump on the current trends and recreate whatever is popular now.
SONGS focus on evoking emotion and connection. Genres don’t matter more than the idea.
3 SONGWRITING MISTAKES
PRODUCERS ARE MAKING IN 2019
You rely solely on midi packs for composition.
Midi-packs and midi-tools like Hookpad or Captain Chords can be very helpful. In fact, we recommend using them all the time (they can be great for inspiration or to spark some creativity). But if you start to rely on midi-packs for composition you are only robbing yourself of what you’re capable of…
After all, when you rely too heavily on existing midi it can be a real crutch. Worse, it can actually hinder you from progressing your songwriting skills at all.
Real songwriters can fall back on their understanding of music theory, and that leads to more confidence & better writing. And, if I’m being honest, it leads to more fun in the songwriting process because you’ve gotten better at songwriting. Let’s face it — we all enjoy things we’re good at.
Without music theory, you are drastically limiting your own ability to make commercially viable, smart and interesting sounding music.
You prioritize mixing & engineering.
Trust me, I get it. Dialing in some reverb is super satisfying. EQ-ing that vocal to sit right in the mix is downright orgasmic. A perfect kick-bass relationship? Forget about it. It’s better than sex.
But people don’t connect with reverb, EQ or compression. They connect with stories. They connect with vulnerability. They connect with honesty.
What does that mean? Composition. Chord progressions. Melodies. Arrangement. Lyrics. They connect with songwriting.
And nothing is more important than the song. No, not even your kick drum trumps that. If you are prioritizing the engineering, you are focussing on the wrong things in 2019. Engineering and production are meant to aid in telling the story of the song, not define it.
And look, the proof is in the pudding. This mindset shift leads to results like this:
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